Browse Items (17 total)

This is the French translation of Theatre.

Note that this copy doesn't have square bracket enclosing "All rights reserved" and thus isn't the first issue that Stott talks about. He does mention that there are copies, like this one, with this variant, but can't be certain when they come into…

"To celebrate the fiftieth anniversary of W. Somerset Maugham's first novel, which first appeared in September, 1897, this edition of 1,000 copies, numbered and signed by the author has been printed and made" (dust jacket front flap).

When Mrs. Craddock's manuscript was sent to Heinemann it was rejected for indecency. It was refused by many publishers until it went to Robertson Nicoll. He saw its potentials, but didn't think it was the type of book published by his firm, Hodder &…

This belongs to Heinemann's pocket edition, which, according to Stott, was scarce in his time. There are all together 16 volumes. They were published more or less at the same time of the Collected Edition, and are supposedly smaller and cheaper. The…

From the front flap of the dust jacket: "Mr Somerset Maugham has written a Preface to this new edition of his second novel, Mrs. Craddock, which has not been in print for many years. "He wrote it in 1900, he explains, and because it was thought…

The skeleton of the story is already present in the story “Cupid and the Vicar of Swale” (1900), then it was written in 1902 as a novel called Loaves and Fishes; when it failed to find a publisher, Maugham rewrote it into a play of the same name in…

The true first is the UK edition published by Heinemann in 1907. For some reason the price is sky high for this lesser work. The novel was based on the play in the same name, written in 1899 (Stott 50). An interesting fact that I got from the seller…

This is the first book on the cover of which Maugham had his Moorish symbol against the evil eye printed. However, it was printed upside down. When Maugham pointed this out to Hutchinson, the symbol was corrected on some copies specially bound for…

This must be the first book with which Maugham got himself into trouble. Aleister Crowley, the model of the infamous Oliver Haddo, was upset when he found himself portrayed so realistically in the novel. Though initially Maugham denied it, in a later…